Here’s a draft version of something I’ve been thinking about for a while.
“Symphony no. 8”
When we talk about the “Mighty Nine”
We could be talking about almost anything.
Maybe it’s baseball, the ’27 Yankees.
Maybe the Supreme Court, or a video game.
There aren’t many music classes
Left in the schools these days.
Suppose you do encounter Beethoven, though.
Suppose you listen to each and every symphony
And hear them all more than once.
Which would you then say
Moved you the most?
The “Eroica”? The Fifth? The Mighty Ninth?
For me it would be a different choice,
A work not played as often as the others.
A fiery work, but somehow also cold and isolated.
I’m referring to the glittering, self-contained Eighth:
A work that pierces ice-blue skies
To no applause on earth.
Writeside.com has learned that the Trump Administration has negotiated major changes with America’s TV networks and cable companies—plus streaming providers Netflix, Hulu and Amazon—to “bring prime time TV programs into closer accord with America’s values.”
Virtually every prime time program will reflect these changes. Here, for example, are some of the changes planned for the well-regarded FX series “The Americans.”
Rather than being set in the early 1980s during the Cold War, the upcoming fifth season will take place in present-day America.
Elizabeth and Philip Jennings, two Soviet KGB officers posing as an American married couple living in the northern Virginia suburbs of Washington, D.C., will come out of hiding and join their neighbor Stan Beeman at the FBI.
Paige Jennings, who had intended to follow in her parents’ footsteps, becomes an intern at the Trump White House.
Elizabeth and Philip join Stan in combating un-American bureaucrats at the CIA, who are alleging that America’s close ally Russia interfered with the 2016 election. Certain members of Congress who prove susceptible to these claims also become FBI targets.
Vladimir Putin will make a cameo guest appearance mid-season.
John McCain, who had been spearheading efforts to prove Russian interference in the election, is poisoned with polonium-210, a radioactive isotope. Elizabeth and Philip are seen hovering near his hospital bed.
At a news conference in the season’s final episode, President Trump makes his own cameo guest appearance. He is asked if Russia is responsible for the McCain poisoning. “That’s ridiculous,” the President replies. “Besides, I like senators who haven’t been poisoned with polonium-210.”
President Trump has announced that he will serve as executive producer for “The Americans” next year, along with “The Apprentice.” The President also referred to some “fabulous” changes in store next year for “PBS News Hour.”
“We’re going to bring back that fantastic two-woman anchor team,” the President said, alluding to the duo of Judy Woodruff and the late Gwen Ifill. The program’s new 2017 anchors will be Kellyanne Conway and Sarah Palin.
There is a fantastic modern (composed in 2000) work at the Metropolitan Opera right now: “L’Amour de Loin” (“Love from Afar”) by Finnish composer Kaija Saariaho. It is only the second time that an opera composed by a woman has appeared at the Met, and the first time in more than 100 years.
This production, featuring Eric Owens, Susanna Phillips and Tamara Mumford, and conducted by Susanna Malkki, has been well-reviewed. Saariaho’s music is like no one else’s—atmospheric, luminous, at times almost otherworldly. It suits this opera splendidly.
If you can’t make this Met production, you can still enjoy Saariaho’s dazzling opera. A terrific performance with the Finnish National Orchestra conducted by Esa-Pekka Salonen and featuring Gerald Finley, Dawn Upshaw and Monica Groop is available on a Deutsche Grammophon DVD.