Love from Afar

There is a fantastic modern (composed in 2000) work at the Metropolitan Opera right now: “L’Amour de Loin” (“Love from Afar”) by Finnish composer Kaija Saariaho. It is only the second time that an opera composed by a woman has appeared at the Met, and the first time in more than 100 years.

This production, featuring Eric Owens, Susanna Phillips and Tamara Mumford, and conducted by Susanna Malkki, has been well-reviewed. Saariaho’s music is like no one else’s—atmospheric, luminous, at times almost otherworldly. It suits this opera splendidly.

"Love from Afar" DVD
A fabulous performance on DVD.

If you can’t make this Met production, you can still enjoy Saariaho’s dazzling opera. A terrific performance with the Finnish National Orchestra conducted by Esa-Pekka Salonen and featuring Gerald Finley, Dawn Upshaw and Monica Groop is available on a Deutsche Grammophon DVD.

Before the Election

Before the 2016 presidential election, there was widespread anxiety about the choice between two highly unpopular candidates. The poem below reflects this, although at the time it was written most people—including me—didn’t expect the worst would happen. But the poem’s last line indicates I might have had an inkling.

—Thomas Pletcher

“A Villanelle for Election Day”

When the world begins to disintegrate
And the country begins to fall apart
Just breathe in deep and steer your own thoughts straight.

Every campaign lie is defined by hate
And every campaign is a lie at heart
When the world begins to disintegrate.

If fear expands and gathers too much weight
And you fear carnage is about to start
Just breathe in deep and steer your own thoughts straight.

Some will tell you it’s really fucking great
And it’s time to upset the apple cart
When the world begins to disintegrate

The darker it grows, the more it grows late
And you know compassion won’t play a part
Just breathe in deep and steer your own thoughts straight.

Perhaps the end is really up to fate
Perhaps it’s finally time to grow smart
When the world begins to disintegrate
Just breathe in deep and steer your own thoughts straight.

To Canada.

Ulysses Sails Through NaNoWriMo

As a writer with a technology background, I find apps designed for writing of more than ordinary interest. I’ve tried a huge number of them and have quite a few still installed. For the 2016 edition of NaNoWriMo, however, I basically chose one app and stuck with it most of the way through: Ulysses.

Most of my writing is done on a MacBook Pro, although I also use Linux from time to time (Ubuntu on a Dell XPS 13). The Mac has a huge number of writing apps available, more than any other platform. Scrivener and Ulysses are probably the best known and most widely used.

For NaNoWriMo, I found Ulysses to be virtually ideal. The chapter summaries (in the middle column) keep you oriented as you work through your plot development. Progress toward your daily word count is graphically shown in the upper right hand corner, which is quite motivating. The application is streamlined and powerful, but not overly complicated. It can be configured in any number of ways to suit your preferences (full-screen mode is especially nice).

Ulysses screenshot
Note the graphical word count widget in the upper right corner—when the circle completes and turns green, you’ve reached your daily target.

Linux, unfortunately, lacks the Mac’s variety of writing programs. Still, there are options. For two or three days last November, I used FocusWriter, a nicely designed and versatile open source program available across platforms. It too offers a nice full-screen mode and a daily word count progress indicator, albeit text-based.

Ultimately, though, I felt most comfortable and productive during NaNoWriMo while using Ulysses.

NaNoWriMo 2016

I’ve recently completed my first NaNoWriMo, winding up with a 50,000-plus-word draft of a novel I’ve tentatively titled The Divide. I found it a worthwhile endeavor in a number of different ways.

First, there is the event’s quantity-over-quality vibe that is designed to overcome writer’s block—it works. In fact, I found incorporating the production of 1,667 words into my daily routine much easier than I would have imagined. So much easier, in fact, that at the end of 30 days I found I had mild withdrawal symptoms.

Second, if you successfully complete NaNoWriMo you wind up with a large chunk of text that you can rework as you see fit. Of course, your rapidly produced November draft is bound to be somewhat uneven (although I think the relaxation fostered by the event actually produces some worthwhile results).

Reworking your rough draft is what the “Now What?” months of January and February are for, apparently. NaNoWriMo says it supports the revision and publishing process “with the added aim of helping you fulfill your novel’s potential: from first draft to final.”

If any of you have gone through the “Now What” process I’d love to hear from you, either via a comment or an email (write to tpletcher [at] writeside.com).